Rachel Bublitz

Writer

Production Panther

I’m applying for Playwright Foundation’s associate producer position and so I’ve spent most of my day writing a cover letter and trying to make my resume look respectable. It actually pays (not a ton), and getting paid for doing theatre is the direction I’m hoping to head off in to. My resume does look a bit funny, I have a four year gap in it. I don’t think you can really list stay at home mom on a resume, and that is a pity, because it is one hard job. I would be excited if they called me for an interview really. That’s the way I like my expectations, nice and low.

Having a hard time with my cover letter, I feel like I might as well be saying that I’m a super human being that could call up their special panther super powers to produce their plays… I could use another set of eyes, and since Tracy is usually my other set of eyes and is feverishly writing plays to finish the 31 Plays in 31 Days Project by tomorrow I could use your opinion. Email me (soon) if you can help!

I’m Still Here

I took a vacation from writing and posting, but I’m back and ready to fire it up again! I have a lot coming up in the next few months:

  1. 24 Play Festival with Playwright’s Center September 15th

  2. Play Cafe’s Benefit Showcase September 23rd

  3. Developmental Reading of MY SISTER’S BABY October 1st

  4. Repro Rights with PCSF October 22nd

Super busy, super exciting! 31 Plays/31 Days is ending in just a few days, and I’ll have lots of exciting announcements to make on that front soon. Please stay tuned!

An ILLIAD at La Jolla Playhouse

Because I am down in San Diego (this week it was one of my sister’s, my mom’s, and my grandma’s birthdays) and because I try and take advantage of all the free theatre I can (my good buddy works at La Jolla Playhouse) I saw AN ILLIAD last night. It’s a one-man show based on Homer’s Illiad, and it was excellent. I appreciated how much it was related to modern day warfare without shoving the comparisons into our faces. Also, I was completely floored by both the lighting design and the sound design. Scott Zielinski was the brilliant lighting designer, and the original music/sound design was from Mark Bennett. They also had a cello player, Brian Ellingsen, and I’m a sucker for the cello. And, Henry Woronicz was phenomenal as “Poet.”

There wasn’t a whole lot to not like about the show. Check it out if you’re in the neighborhood! I come home tomorrow. I’m 90% sure I’ll be heading into the city on Monday night for Theatre Pub’s MEASURE FOR MEASURE. Hope to see you there!

Free Advice for Actors

Last night I went to an especially engaging scene night over with the folks at Playwright’s Center of San Francisco. The actors were spot on, and the interesting thing is that two of those actors I’d seen days before at an audition and neither had blown me away. So, here’s my advice to all you actors out there: Find and attend scene nights. It’s a great way to get to know new playwrights and for them to see your versatility. I think the hardest part of acting is cold reading, so you’d be developing an important skill while you network. Win win! Okay, that’s all really…. Got it? Good.

Gearing Up for Scene Night

No new plays today. I’ve been busy gearing up for a road trip (driving to Santa Barbara tomorrow with my kiddos, and from there we’re heading down to San Diego on Sunday), and trying to fix up a play for tonight’s scene night with PCSF. I’m actually a little nervous. I’m bringing in play #10 from the 31 Plays in 31 Days challenge, it’s called Lily and Eric Are Monsters. Not only is… Well, it’s very different, stylistically than what I normally write in a lot of ways. For one thing it’s certainly isn’t funny (at least I hope it isn’t funny, I haven’t written a lot that isn’t funny), and it’s not dialogue. It goes between like a dueling monologue and straight monologue to other things. I’m very excited by this piece though, and I think that’s why I’m so nervous. I’m hoping to shape it up to submit it to BOA in September… I have another one act I’ve been working on for BOA, Terrible People and I have NO idea which one I’ll end up submitting. Sigh.

Want to read them both and put in your two cents? Email me.

The 31st Play

And just like that (snap your fingers) I’ve written 31 plays. I don’t think I’m going to stop. I’ve really enjoyed pushing myself to write nearly every day. This play isn’t my favorite play, I think being the 31st play had a lot of pressure on it. I’m happy to be done with it, and now I can write plays without counting (who am I kidding, I’ll still be counting).

Going To The Chapel, a short play

By Rachel Bublitz

LARRY and NORA are on stage.

NORA I’m terrible with money. I buy pretty things instead of feeding myself.

LARRY That’s the stupidest thing I’ve ever heard.

NORA I know, right?

LARRY I’m obsessed with porn.

NORA Porn?

LARRY It’s just… So easy, it’s right there on my computer, my phone. Basically every free moment…

NORA Porn?

LARRY Yep.

NORA I’m not planning this… But I’m 90% positive I’m going to put on 30-40 pounds in the next 3 years.

LARRY That’s a lot of weight.

NORA It is.

LARRY I’m going to sleep with someone else, I know it.

NORA I’ll want to sleep with someone else.

LARRY You won’t?

NORA Just to prove that I’m better than you.

LARRY Damn, that’s… Bitter.

NORA It’s true though.

LARRY Will you leave me?

NORA Probably. And after I do, I’ll try and keep the kids from seeing you.

LARRY Kids?

NORA The kids we’ll have.

LARRY I don’t want kids.

NORA That’ll change. And if not, I’ll just get pregnant on “accident.”

LARRY You’ll keep the kids I don’t want from me?

NORA You’ll want them at that point.

LARRY Right.

NORA So.

LARRY Yeah.

NORA Are we going to do this?

LARRY Well… All the people are here.

NORA It’s a lot of people.

LARRY If we didn’t… I mean all that shit would happen with anyone I’d marry, right?

NORA I think so.

LARRY Me too. And, honestly, I’d rather go through all of that then walk out there and tell everyone the wedding is off.

NORA That’s an excellent point.

LARRY I love you.

NORA I’m just glad you ask me to marry me… I’m hoping the love will come.

LARRY Lead the way, my bride.

End of play.

Day 15, Play 30

After finishing KURT VONNEGUT, The Last Interview and Other Conversations yesterday, his words haunted my dreams. In the last few interviews he talked a lot about how we’re completely destroying the earth and at this point there’s nothing we can do about it. Bummer, right? Well I wrote a play about it, pretty short… 3 pages, and it’s pretty preachy, but I kinda like it. As usual, please ignore errors, I just wrote it!

Gray And Ash, a short play

By Rachel Bublitz

MOTHER and CHILD are on stage.

MOTHER It is an important day. Today you will walk the earth.

CHILD I am ready Mother. I will make you proud.

MOTHER We’ve told you what to expect. It will still astound you.

CHILD I am prepared.

MOTHER Child. Child, child, child. That is what you say. The winds are fierce. The earth is gray and endless. It is hard to navigate. But you must. We need you to gather the ash.

Pause.

CHILD What if I get lost?

MOTHER You will perish.

CHILD I’m scared, mother.

MOTHER You should be. Bring extra strips for your test kit. You need to double check the ash you collect for contamination.

CHILD Right, extra strips.

MOTHER You can return in two years, if you live that long.

CHILD I will try my best.

MOTHER I have faith in you.

Pause.

CHILD What’s the sky like?

MOTHER Gray, it matches the earth. You can’t touch it though, it reaches up to the dark black sun. Do you have the compass your father gave you?

CHILD Yes.

MOTHER Trust your instincts, but don’t ignore your tools. Two years isn’t so long. And the more ash you collect the better for us all.

CHILD Isn’t there anything better to eat? What if-

MOTHER (Interrupting) Ash is all that’s left. You’ll see. When you return you’ll be allowed to couple and mate, if you wish to.

CHILD Can we work together on the surface?

MOTHER You can try, the great open does funny things to folks though, so be careful.

Pause.

CHILD Tell me about before.

MOTHER This is not a time for stories! Your departure is eminent!

CHILD I need to hear it, once more before I go.

Pause.

MOTHER Very well. I will tell you one last time. Hold the words in your heart, my dear. You will get no comfort above. (Sigh) Before the gray, there was a vast green that covered our earth met with blue, red, purple, and every color in between. Before we lived in the sun, and it shone bright orange and brought warmth. Before we ate from the trees, when trees still stood. Before we ate from animals, when animals still stocked the green. Before, long before now, no one ate ash and no one lived below the ground.

CHILD I wish I lived in those times, Mother.

MOTHER We all do child. The people before us were foolish, and forgot to care. They gave away the trees, the colors, the animals. Ash is what is left now. Ash and gray, ash and gray, ash and gray. You must be brave my child. You will come back to me.

CHILD Most don’t come back.

MOTHER I know, but I did. I know you can too.

CHILD I will hold you in my heart, mother.

MOTHER I will hold you too, my dearest child.

End of play.

Exciting Things

A theatre requested I send them “The Fantasy Club” today! How exciting is that? Very, very. I send out a lot of samples of plays, lots, and I usually (or until today) have never heard from anyone again. But today I got an email asking for the entire script. And, since their theatre looks for work that hasn’t been done in Colorado (it’s a Colorado based theatre), I think it’s just fine that a production is already coming together here. I told them about it, so we’ll see.

I wonder, should I email all the places I’ve submitted “The Fantasy Club” and tell them it’s being produced somewhere? Is that a thing folks do? Hmmm… Well, even if I never hear anything from this, I was over the moon to get this email today. Oh… And if we’re talking about things that boost my playwright confidence, I emailed an actor about doing a private developmental read at my house… She emailed me back yes, and that after looking over my website (yes this very website!) that she was eager to work with me because she loves my writing. Maybe she was just blowing smoke up my ass, but I don’t care. I’m takin’ it. I’m lovin’ it. Alright… Back to writing plays…

DEAD MAN’S CELL PHONE by Sarah Ruhl

Finished a non-theatre book today (KURT VONNEGUT, The Last Interview and Other Conversations), which for the record is both heart warming and crushingly depressing) and so I picked up Dead Man’s Cell Phone by Sarah Ruhl. I haven’t been doing a ton of reading lately (hello, I’ve been writing 31 plays!) so my mind sucked it all up and I read it in a snap.

The thing I found most interesting about the play was that I spent the play not asking what does Jean (the main character) want, I desperately wanted to know why she was doing what she was doing. Which, I suppose could be thought of as the same thing, but I am not yet convinced. For those of you who are unfamiliar, Jean is next to a man who dies at a cafe, and ends up with his cell phone trying to make him a good person in death. Soon it is revealed that the dead man, Gordon, was in the illegal buying and selling or organs business, and pretty terrible to most of the people in his life. I was surprised at how much Jean was sucked up into this man’s life. I know that she had a clear objective, and was going for it vigorously, but I still want to know why. Maybe it’s because most of the people (me included) around me wouldn’t put that much effort into making their own live’s better, let alone someone else’s. I’m babbling… I know. I really did like this play though, it was quite charming in the end. And even though I was puzzled with the why, it was that that kept me so engaged. Now, what play to read next?