Rachel Bublitz

Writer

Day 2 of 5

Today I wrote a new play! It’s called “Ghost Story” and it’s scary as hell. At least I think so. A few months back I wrote a ten minute play based on a nightmare, it’s called “Baby Pie” and it’s a farce, not scary at all. “Ghost Story” gave me chills while writing it. It weighs in at 12 pages, so it’s technically not a ten minute play but a one act. I can’t decide if I should leave it as is, slim it down to ten, or bulk it up to fifteen or twenty pages. Hmmm… So far (mind you I’m only on day 2) I’m really enjoying my little warm up. We’ll see how I’m doing on day 5 though.

Want to know just how scary “Ghost Story” is? Shoot me an email, I’d love to get outside feedback!

Sheherezade XII Reviewed

Sheherezade XII was reviewed! Here an excerpt talking about my play “Her Special Day.” Click the link below for the whole article. And don’t forget, there are still two more weekends of Sheherezade XII! Go here for tickets!

“Rachel Bublitz’s play, “Her Special Day,” explores the nuanced relationship between mother and daughter on the daughter’s wedding day.“ From the article, “When local playwrights consider the meaning of the Mayan year 2012, Pacifican Ann Thomas signs on to direct,” by Jean Bartlett a Pacifica Tribune Correspondent. Go here to read the article.

Nap Time, a Ten Minute Play

In an effort to warm up for my 31 plays in 31 days extravaganza this August, I’m writing one play a day for the next five days. (It’s like running, you can’t just decide to run a marathon the day of the marathon!) Today I wrote a short play called “Nap Time” I’m hoping to submit it to Fringe of Marin. Want to know more? Shoot me an email, I’d love to get some feedback on it.

Sheherezade Is Here

Tonight is opening night for Sheherezade XII! I’m so excited. Dress rehearsal last night was awesome. I was slightly emotional, seeing something that I’d written completely transformed for the first time. Kat Kneisel is my brilliant director who really gave my piece life. I’m so very pleased at what she’s done with “Her Special Day.” And, my two wonderful actors, Abby Edber and Diana Brown blew my mind. This has been a very special experience for me.

It was also fun to see the other plays come to life that I’d only ever heard read at developmental readings. The entire night has been put together very well. All the actors and directors involved did a great job!

I think that Playwright’s Center and Wily West deserve a standing ovation! So, buy your tickets today! The show runs only three weekends, and I would not be surprised if it started selling out. I’ll be there tonight and closing night. Make sure to let me know what you think of “Her Special Day.”

Go here for tickets!

Keep Me in the Loop

I am primarily a playwright, and this blog is here for my shameless self promotion… Mostly. After getting such great feedback from my BOA post, I wanted to let people know that I will gladly promote projects from local theatre in the Bay Area! If you have a show you want me to come and see or think I should promote on my blog, send me an email and I’ll be happy to help you out! I’m still trying to get to know everyone out here in the theatre community, and I always love to hear about new shows!

Email me at Rnbublitz@gmail.com. Thanks!

The 6 Things I Learned at BOA Program 1

I went to BOA Program 1 last night. I want to start out by saying how much I didn’t want to go. I had woken up on the wrong side of them bed, and never seemed to fully wake up. And all day my four year old kept begging me not to go out. But my ticket had been purchased and it was the only night that I had to see BOA. So, into the city I went. Here is what I learned:

  1. Even if you do not want to be out, you will have an amazing time at BOA. I was completely blown away by the performances I saw last night.

  2. BOA creates a beautiful theatre community. I find theatre most inspiring when it embraces community, and BOA gets together a lot of small companies in the bay area to form one great and mighty theatre community. It was inspiring.

  3. It made me want to run home and write an amazing one act so that I could be involved in next years festival. Stay tuned, I’ll be writing feverishly over the next few days!

  4. The show was packed on a Wednesday night! If you want tickets to the remaining performances, buy your tickets now! Click here for tickets.

  5. Good art pumps me up. I was home by midnight (a few hours past my normal bed time) but that didn’t stop me from waking up my husband to tell him about the great night of theatre I got to enjoy. I can still feel the buzz and it is good.

  6. And last but not least, see both programs. I, sadly, cannot make it to Program 2, and I’m devastated! Don’t put yourself through the heartache, and make sure to get tickets to both programs.

That is all. Get out, go see something, go make something. It is better than television, I promise you. And you should know, in case you were nervous, your TV will probably still be there when you get home. Especially if you lock the door on your way out.

SF Footlights Staged Reading Tonight

What are you up to tonight? I’m going to SF Footlights staged readings of “Finding Alice” by Jennifer Roberts and “Dry Rot” by Suze Allen. You should come too! It’s free and both playwrights are local women (yay!).

About the plays:

DRY ROT by Suze Allen

A Seattle couple comes to terms with their marriage in the rainiest season on record. Allie is molding—literally—and Renny is writing a food column and hiding a colossal secret. (15 min)

FINDING ALICE by Jennifer Roberts

Jennings, a broke, alcoholic American expatriate artist living in Philippines in 1962 is on the verge of losing his rat-infested farmland when he is visited by a young, female artist looking to curate a show for him at the 1964 World’s Fair. But she has a secret. Of course. (70 min)

The readings are hosted by Dramatists Guild of America and it’s all happening at Stage 2 in San Francisco. Here is the address:

533 Sutter Street, San Francisco, CA 94102

It starts at 7pm, be there or be square!

Back to Theatre

I’ve been posting about some big ideas lately. This is a post telling you what’s going, and some suggestions for show to see.

Bay Area One Acts!

The BOA festival is going strong. It opened last weekend, and runs through Saturday May 12th. There are two different programs to see, and all of the plays are by local playwrights. Go here for their schedule, and here for tickets.

Tenderloin at Cutting Ball

The Cutting Ball Theater has a very exciting project called “Tenderloin” playing right now. It’s a documentary style play, and they’ve offered a lot of free and discounted tickets to the people who live in the Tenderloin. Click here for tickets.

Sheherezade XII

And finally, because it’s featuring a play of mine (my first production!) you should get your tickets now! The show is a benefit for The Playwright’s Center and is being produced by Wily West Productions. The show opens this coming Friday and runs through May 26. Go here for tickets!

On Suicide

For those of you who don’t know, Junior Seau killed himself a few days back. When I first heard about his death, I was unaware that it had been a suicide. Yesterday, I read a blog post from a friend of mine, Christopher Reed (an actor on the tv show “Son’s of Anarchy”) about the affect of Seau’s death. We both grew up in San Diego, Chris is a die hard football fan and Seau was a legend to him. In his post (which can be found here) he talks about his own thought of suicide while growing up and the death of our friend Jeff Wells. I spent most of yesterday thinking about suicide. After reading an update from a friend on facebook about morning someone she recently lost due to suicide, I decided to put my thoughts to computer (doesn’t sound as good as paper, but it’s more accurate).

Like Chris, I had thoughts of taking my own life in middle school. My first attempt was around the age of twelve. I tried to die from sucking on toxic markers… I know, it’s pretty humiliating. Anyway, what struck me looking back and comparing myself to Chris was that he had much better reasons than I did. Looking back, I can’t see one good reason, other than the fact that I felt miserable. I had friends, I felt needed in my family, and yet I had a deep dark loneliness. I must have tried to kill myself at least once a year after that with various degrees of determination. I always regretted it, but that never stopped me from trying again.

Here’s what I want to know… What’s in us at this age that turns so many of us to thoughts of ending our lives? Is there science out there that can explain it? Because I’m a mom. In about ten years, I’m going to have a teenager. A few years later I’ll have two. I am so scared that I won’t be able to stop them from feeling this way. From thinking that life will never get any better and the only hope is to take their life. I’m terrified that I won’t have the right words at the right time, or worse, they’ll never even tell me what they’re going through.

It is a deeply selfish act. It’s terrible. I found out that Jeff Wells had killed himself a few days after my daughter was born. I was trying to breast feed, having no luck, tired, emotionally drained and lost when I got the call. I cried a lot, I still do. I can’t cry without thinking about Jeff. The kicker? We weren’t that close. I spent time at him with parties, and I thought he was incredibly talented but we never shared a sacred moment, or some deep connection or anything. But still, over four years later, I can’t think of him without crying.

Here’s the bottom line… Don’t kill yourself. It’s a terrible idea that will affect people that you probably don’t even think about anymore. I don’t know what to say, or how to make you feel better… But there are probably people out there who do. Get help, stay alive.

The Artist and Truth

I’ve had an idea for a new play bouncing around my head since January. I’ve started it at least ten times, and each time it fizzles out. I put it on the back burner when “My Sister’s Baby” really started gelling in February. But, since I’m at a place with “My Sister’s Baby” that I need to hear it out loud, there’s not a lot of writing for me to do on my own. This other play, we’ll call it “Play X” for now, kept popping up. I took a few more cracks at it… Nothing.

And then, I was on a plane on Wednesday and my kids were self contained in their movies, and my mind had time to wander. I started writing and thinking about the play and before I knew it, I had an outline. At this point, I felt great. I felt I had finally tapped into the story I’d been looking for, and I thought that it would finally work.

I started writing. For the first time for me the outlined transferred to a play with total ease. It felt great. And then about half way through I had an awful feeling in the pit of my stomach. It’s a familiar feeling. When I was writing “The Fantasy Club” I was convinced people would think I was some sort of sex addict and try and take my children away. It wasn’t until my husband read it, and didn’t demand a divorce that I felt at ease. I think that “Play X” is worse. I think it’s much much worse.

It has truth to it that I’m not sure if I want to share with the world. I don’t know if I want my husband to read it and… I don’t know… React in any way. Most of the plays I write have quite a lot of terrible truth to them. Things that I find hard to admit out loud. I dwell on these things (God knows why) and through that plays are developed in my mind. I don’t know how to write a play that doesn’t have all the shameful things in it. And oddly, I’m not sure I want to. I think if I have anything going for me as a playwright it’s the honesty I share. But that takes us back to “Play X.” As an artist is it my place to ignore all the voices screaming no in my head and just put it out there and hope no one connects the dots? I feel like it is. Damn.

Hopefully this is all an over reaction to nothing. I almost always over react. I guess only time will tell.